Acknowledging the need for an economic base in the community has brought about the construction of an art glass facility [in 1995], which has both architectural and domestic applications.
It has been crucial to create a working environment under the definitions of productivity held by Ngaanyatjarra people, to operate within their time frames, and to conceive a process, which makes the technology equally accessible to all age groups.
Art glass designed and made by community members is now represented in many public and private collections in Australia and other countries.
Gary Proctor, 'Warburton Arts Project' in S. Kleinhert and M. Neale (eds), Oxford Companion to Aboriginal Art and Culture, Oxford University Press, 2000.
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Talitjarranya (1998), Elizabeth Holland (Tjinyuka), Clear Float Architectural Glass Panels, 3 x panels x 1800 x 1000 x 10mm
Producing the first platter in the new art glass facility in 1995
Kungkarrangkalpa Tjukurrpa (1998), Taparti Bates, Clear Float Architectural Glass Panels, 3 x panels x 1800 x 1000 x 10mm
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